March 2019 – Over the years we’ve been asked how we plan our travels, and we’ve usually said that we move on or stay put on a whim. But it might be more accurate to say that we generally follow the weather, staying put when it’s nice and moving on when ugly conditions are expected.
This has made for some hasty departures with rain, sleet or snow looming, but until this past week we have never been stuck right where we were because of deep mud!
Hitting the road is easier when you don’t have to drive through a foot of mud
The Utah desert is filled with sandstone, sand and silty stuff, and when it is dry it hardens to something like concrete with a soft layer of dust around the edges. But when it rains for 48 hours, as it did while we were camping, the water soaks into the silty sand and makes a very squishy mud.
An immense tower rises out of Utah’s red rocks courtesy of rain, wind and sometimes drippy muddy conditions
As we drove to and from our campsite every other day or so, our truck swam through portions of the road, even in 4×4 low gear at 5 mph. There was no way we could tow our 14k lb. trailer out of there.
So, we stayed put and we waited for the mud to dry!
While we were waiting for the mud to dry we practice the near-far composition techniques we’d learned in our photography workshop the week before.
We kept busy practicing the wide angle photo techniques we had just learned. The key to putting some real zing into this kind of photography is having a fabulous sky and a fabulous foreground right at your feet. Finding those things is no small trick, though, even in this wonderfully scenic part of Utah.
The near-far wide angle view is a new way of seeing for us, but we’re starting to get the hang of it!
We spent hours scouring the area looking for engaging backdrops in the distance and fascinating foregrounds at our feet while hoping we’d get a jaw-dropping sunrise or sunset to top it off.
The sky didn’t cooperate, but we did find some lovely places and really enjoyed the search.
Low toadstool hoodoos and softly rounded mountains
Of course, what’s funny about doing this kind of photography with our pooch Buddy along is that he has a habit of photo-bombing our shots. We’d get everything set up just so, and then Buddy would suddenly wander right through the middle of the photo, sniffing around and curious about what we were up to.
Buddy stops by right in the middle of things to say hello!
While I was crawling around on my hands and knees to try and capture these ground level images, Mark hiked up onto the colorfully striped mounds in the distance and took some stunning pics of the softly rounded shapes from eye level.
Up close, the softly rounded mounds were very beautiful
The hills were a wide variety of earth tone colors
Natural patterns
Slowly, the mud slowly began to dry everywhere, and it made pretty patterns of cracks as it shrank. Mark noticed the pattern of a tree in one set of cracks.
The image of a tree appeared in the cracking mud
With the mud quickly drying, we realized our escape from our campsite had to be timed so that the mud on the road was sufficiently dry but the predicted strong winds hadn’t yet begun whipping dust around. Everyday we surveyed the mud and it seemed like our leave-taking was still a few days away.
But Mother Nature has her own sense of timing and her own schedule.
One day, just as we were returning from a walk down the road and agreeing that we should give it another day or two, the predicted winds suddenly arrived and kicked up some huge clouds of dust.
Yikes!
Buddy squints his eyes as he makes his way through a swirling dust cloud.
Wild dust storms are the desert West’s answer to the hot and muggy stickiness of mid-summer in the East!
When the desert becomes enveloped in dust storms you can get white-out conditions, and that thin layer of silt finds its way onto everything in the camper, even with the doors and windows closed. Just one swirl as you open the door and dash inside can be enough to coat the counters and table with grit.
It was time to leave!
Within an hour we were swimming down the muddy section of the road, but we had just enough traction to make it out.
Once the tires hit the pavement we heaved a huge sigh of relief!
We headed south on US-95 which is also known as the Bicentennial Highway because it was completed in 1976. It is one of Utah’s most spectacular scenic drives with occasional pull-outs where you can stop to take a photo or rest a bit. After driving for a while we pulled over to stretch our legs.
The beautiful scenery on the Bicentennial Highway was a welcome sight after our great escape!
A gorgeous yellow Corvette had stopped too. We’ve often said that if we ever stop traveling by RV we might start traveling by sports car and motel. Wouldn’t that be fun! What better way to see America’s incomparable scenic drives that in a zippy and maneuverable Porsche?! We had the chance to do just that in Colorado a few years ago, and what a blast that was! (Blog post here).
There are many ways to travel and they’re all fun!
We wandered through the brush by the side of the road and crossed a narrow stream and found ourselves in a shallow cave. Such wonders. Our spirits soared as we roamed around.
Mark takes a pic from the floor of the cave
One of the things I love most with Utah’s red rocks is the “desert varnish” on the surface of many cliff faces. It appears as though the gods have taken cans of paint and spilled them over the edges. Jackson Pollack may have made human drip painting famous, but for me, these paintings made by Mother Nature have him beat.
Nature’s drip paintings on towering red rock cliffs.
Artistic expression fill human history back to prehistoric times, and the ancients who lived in Utah thousands of years ago were no different. Using some kind of method to impregnate the smooth cliff walls with various colors, they created pictographs that remain to this day.
Buddy came across an especially beautiful one.
“Look what I found!”
It was about five feet tall and seemed to depict a person wearing a crown of some kind, along with decorations across the neck and shoulders as well as earrings. The figure appeared to have bird wings with long flight feathers, or perhaps it wore a cape that concealed its arms.
I have no idea what the thing next to this being was. But surely the person who meticulously created this image eons ago knew exactly what it was. If only it were possible to know the origins of the artwork in the context of the culture that created it.
Gazing at this image of a very specific something — human? god? — I remembered my astonishment when we watched a school field trip of young kids visiting the evocative ancient pyramid ruins at Monte Alban near Oxaca in southern Mexico.
As the kids sat attentively listening to a guide teach them about some huge stone carvings the Zapotecs had made, he pointed to various images in the stone sculptures and asked the kids if they recognized who they were.
With each question, a few kids’ hands shot up and they answered eagerly. They had studied the ancient mythology that had its roots right where they were sitting.
This intricately detailed pictograph is about five feet tall and appears to be a person wearing a crown and ornaments around the neck and shoulders, and it seems to have either an elaborate cape or wings.
Not too far from this incredible pictograph we found some more recent petroglyphs. The difference between pictographs and petroglyphs is that the pictographs are made by impregnating pigments into the rock face while petroglyphs are made by pecking out an etching.
It’s not so easy to make images by pecking, and in many places we’ve seen poor modern attempts to scrape the rock alongside the expertly made petroglyphs that are hundreds or thousands of years old. However, in this spot some enterprising people whose petroglyph efforts are now fading into recent history did a pretty good job of making a lasting impression.
These petroglyphs dated back as far as 1941 which was long before the Bicentennial Highway was built in 1976 and also before Glen Canyon was dammed to form Lake Powell in 1963.
In the 1940s there was just a rough 4×4 road that, legend has it, a local miner had built between Hanksville and Hite using a borrowed bulldozer!
“Roy Despain + Madeline II – September 1, 1941”
Roy and Madeline covered some rugged terrain to put their mark on these rocks. I wonder if they are still around and if they ever return to see their names on the cliff wall.
Nearby Brig Larsen left his or her name and listed the town of Moab, Utah (his/her hometown?) and the full date of May 21, 1947.
“Brig Larsen – Moab Utah – 1947”
In 1946, a year prior to Brig pecking out his petroglyph, a geological survey described the concept of a future road going between the mining town of Hite (now submerged under Lake Powell) and the Mormon farming town of Hanksville. A quote from that geological survey says:
“Plans are being considered for a road across the Colorado River at Hite and eastward… At the present time (1946) the road follows the bottom of North Wash and a cable-barge ferry is maintained for crossing the river. In time, no doubt, an improved road will be built that avoids the canyon bottom and crosses the river by bridge, probably near the mouth of the Dirty Devil river. Such a road would be one of the most scenic highway in America.”
How right they were as they looked 30 years into the future!
Nearby a Mr. (or Ms.) S. Allan also made a petroglyph with the date “41.” Was he (or she) traveling with Roy and Madeline in 1941? Maybe they all reached this spot together and decided to put their names on the rock much as the Mormon pioneers had done at the Mormon register which is now inside Capitol Reef National Park.
Ironically, someone named Lockyer visited to the same spot in 1978 after the Bicentennial Highway was fully built and paved with asphalt. I wonder if he intended to write over S. Allan’s date or if he realized only after he got going with his rock pecking that he hadn’t allowed enough room for his name.
“S. Allan 41” and “Lockyer 78”
Either way, I’m just assuming that the numbers “41” and “78” refer to years these people were here in the 1900s. But who knows, they could be their birth years or they could be numbers from their high school varsity sports jerseys!
So it goes with the masterful guesswork of archaeology, whether studying the artistic footprints left 80 years ago or 800 years ago or more.
One thing we’ve noticed in the shifting sands of time here in southeastern Utah is that it is not so easy to leave an indelible footprint. We’ve been here only two weeks, yet the footprints and tire tracks we first put down two weeks ago have almost disappeared. The rain and wind have all but erased them from ever being.
Even the muddy tracks on the dirt road had already begun to flatten out.
Happy times in Utah.
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Map of the Bicentennial highway
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