Oaxaca’s “Mitla Tour” – Ancient Zapotec Ruins & More!

Santa María del Tule, Oaxaca, Mexico

Santa María del Tule

Town center Santa María del Tule, Oaxaca, Mexico

Home of the "Tule Tree"

Church in Santa María del Tule, Oaxaca, Mexico The Tule Tree in Santa María del Tule, Oaxaca, Mexico

The "Tule Tree," 190' around!

Baby Tule tree in Santa María del Tule, Oaxaca, Mexico

The baby Tule Tree, just 1,000 years old.

Gnarled trunk of the Tule tree in Santa María del Tule, Oaxaca, Mexico

What fantastic creatures lurk here?.

Tuk-tuk taxis in Santa María del Tule, Oaxaca, Mexico

"Tuk-tuk" taxis zipped everywhere.

Zapotec weavers in Teotitlan del Valle, Oaxaca, Mexico

Zapotec weavings in Teotitlan

del Valle.

Natural wools are dyed with flower or bug based dyes in Teotitlan del Valle, Oaxaca, Mexico

All these colors were obtained from flowers or bugs.

Sea turtle rug made by Zapotec weaver in Teotitlan del Valle, Oaxaca, Mexico

Our sea turtle rug.

Hierve el Agua, Oaxaca, Mexico is a unique, mystical place.

Hierve el Agua is a unique,

mystical place.

Manmade pool in Hierve el Agua, Oaxaca, Mexico

A manmade pool to control the water flow a bit.

Swimming pools in Hierve el Agua, Oaxaca, Mexico

Kids play in the water.

Up close shot of mineral deposits, Hierve el Agua, Oaxaca, Mexico

A thin film of water leaves a

microscopic layer of minerals behind.

Waterfall frozen in time, Hierve el Agua, Oaxaca, Mexico

Waterfall frozen in time.

Petrified waterfall, Hierve el Agua, Oaxaca, Mexico

Petrified waterfall at Hierve el Agua.

Petrified waterfall, Hierve el Agua, Oaxaca, Mexico Pools in Hierve el Agua, Oaxaca, Mexico

Reminded us of Yellowstone but the water was cool..

Travel companions on our Mitla tour in Oaxaca, Mexico

Our charming tour companions.

Mitla ruins, Oaxaca, Mexico

Mitla is square and ornate, very different than Monte Alban.

Intricate stonework, Mitla ruins, Oaxaca, Mexico

Intricate patterns like this adorn every wall inside and out.

Perfect stone joinery, Mitla ruins, Oaxaca, Mexico

Precise mortarless stonework from 2,000 years ago.

Huge lintel over short doorway, Mitla ruins, Oaxaca, Mexico

Massive lintel over a short doorway.

Interior room, Mitla ruins, Oaxaca, Mexico

One of the interior rooms.

Stone dovetail corner wall joinery in Mitla ruins, Oaxaca, Mexico

Impressive dovetail corner joinery made

of precisely cut decorative stone.

Fine stonework, Mitla ruins, Oaxaca, Mexico

No two patterns on the buildings are alike.

Underground tomb, Mitla ruins, Oaxaca, Mexico

One of the underground tombs.

Mezcal makers!

Mezcal makers!!  The king of Matatlan.

There are hundreds of varieties of Mezcal in Oaxaca, Mexico.

There are hundreds of varieties of mezcal.

Young blue agave plants at mezcal distillery,  Oaxaca, Mexico.

Young blue agave plants.

Blue agave plants ready for processing, mezcal distillery,  Oaxaca, Mexico.

Pineapple-like core used to make mezcal.

Agave is burnt over a fire, mezcal distillery,  Oaxaca, Mexico.

First they are cooked over a fire.

Grinding up burnt agave plants to make mezcal in a distillery,  Oaxaca, Mexico.

Then they are crushed under a rotating wheel.

Mezcal fermentation barrels, mezcal distillery,  Oaxaca, Mexico.

The duration of the fermentation makes all the

difference in the taste.

Sampling mezcal, mezcal distillery,  Oaxaca, Mexico.

Here, try this one!!

Mitla Tour, Oaxaca, Mexico

Mid-February, 2012 - We enjoyed the Monte Alban ruins and history so

much we decided to take another trek out to the other side of Oaxaca to

see the ruins at Mitla.  The easiest way to do this was with a van-based

tour, and our day-trip included several colorful stops in addition to the

tour of the Mitla ruins.

The first stop was in the cute town of Santa María del Tule, home

of the famous "Tule Tree."  The funny thing about an organized

tour like this is that you follow the pace of the leader.  Our

designated stop here was just a half hour or so.  But it was such an

appealing little town that I'm sure if we had been on our own we

would have probably stuck around for a day or two!

The Tule plant is a grassy reed related to cat tails that was used by the

indigenous peoples to make mats, shelters and boats.  It grows in

abundance in and around Santa María del Tule.  The "Tule Tree" is

actually a Sabino (Montezuma Cypress) tree, totally unrelated to the

Tule plant, but it is affectionately known as the "Tule Tree" because it

was once surrounded by tule reeds.

According to the sign in front of the tree, this monster is

over 2,000 years old, 190' in girth around the trunk, 138'

tall, 28,846 cubic feet in volume and 636,107 tons in

weight.  It is considered to be the widest tree (the one with

the largest girth) in the world.  Our tour guide suggested

that if we couldn't fit the whole tree in our cameras we

could always buy a souvenir postcard instead!

Just around the corner stands the offspring of this famous tree.  It is a

mere 1,000 years old and not quite as large -- and it was all by itself

without a crowd around it elbowing each other to get a photo!  Of course

neither of these trees is quite as humongous overall as the giant

sequoia named General Sherman that stands 275' tall and has a

volume of 52,000 cubic feet.  Nor is either quite as old as the bristlecone

pine called Methuselah which has had its rings painstakingly counted to

total 4,841 years of age.

The trunk is

very gnarled

and people

see all kinds

of shapes

and creatures

in its depths.

Scooting around the streets of town we saw these funny looking three-

wheeled vehicles.  These tiny taxis, called "tuk-tuks," buzzed all over the

place, not just in Santa María del Tule but in other towns we passed along

the way.

Our next stop was at Teotitlan del

Valle, home of about forty families of Zapotec weavers.  We had met the son of one of

these families in the harbor town of Santa Cruz in las Bahías de Huatulco where he had set

up a loom and quietly turned out one brilliant woolen rug after another.  Here we were

given a demonstration of the traditional methods used by the Zapotecs to spin and dye

their wool.

The demonstration started with the

original Zapotec method of spinning

wool which involved a balancing a

spool precariously on one knee.

What luck the Spaniards showed up

way back when and brought the

familiar spinning wheel with them.

Even so, two daring members of our

group tried to spin a little wool using

this more conventional old fashioned

spinning wheel, and neither met with

much success as the wool kept

separating in their fingers.

It was amazing to learn what the Zapotecs used for dyes to create the vibrant colors of

their wool.  Starting with either white, grey or brown wool right off the sheep, they get

bright blue from the indigo plant, using ash to fix the color.  Green comes from moss,

using salt to fix the dye.  Yellow is from marigolds.  Most intriguing, however, was that

they squash an insect that makes a cocoon on prickly pear cactus leaves, and the

squished bug produces a vibrant blood red dye.  How much trial and error did it take

over the years to perfect these methods?

Again, we could have lingered for a long time in this shop and in the town in general.  I

love wools and yarns and weaving, and the intricate designs, both modern and

traditional, were fantastic.  We did end up holding up the tour van for a few minutes

while we negotiated to buy a lovely small rug featuring sea turtles.  It had been woven

from undyed sheep wool by Rafaela, whom I met (but didn't think to photograph--darn!).

In all the thousands of miles we have sailed our boat in Mexico, the most common

wildlife sighting we have had everywhere has been sea turtles.  In places

there are literally hundreds of them.  So this seemed a perfect souvenir.

Jumping into the tour van for more adventures, we drove a long way out to

Hierve el Agua ("boiling water"), a phenomenal oasis of pools and petrified

waterfalls out in the mountainous hinterlands.

Apparently

"undiscovered"

until the mid-1980's, this grouping of shallow pools and

calcified deposits is reminiscent of parts of Yellowstone

National Park, except the water is cool.

In the distance three large waterfalls stand frozen in time,

suspended forever mid-fall.  A thin trickle of water drips over the

edge, leaving behind a microscopic layer of mineral deposits to form

the next cascade.  There is a mystical, ethereal quality to this place.

Kids played in the pools and

everyone crawled all over the site, testing the

water with their hands and taking endless

pictures.

Just as the sun

started to come out,

giving the whole place

a wonderful glow, it

was time to jump back

into the van with our

tour buddies to make

the trek to the

Zapotec ruins of Mitla.

One of the highlights of this tour was meeting the other folks that

were along for the ride with us.  Three charming young women

from England filled the back seat and an older Danish couple was

up front, giving our van a decidedly European flair.  The English

gals were in their first week of a three month trans-Central America

tour, and we all bubbled with excitement as we talked about the

places we'd been and where we wanted to go.

Mitla's construction was begun by the Zapotecs in more or less

the same era as Monte Alban, a few hundred years BC,

although Mitla's first inhabitants settled there much earlier.  And

like Monte Alban, Mitla was built by the Zapotecs but ended up

under Mixtec control.  However,  in the years between 750 AD

and the arrival of the Spanish in the 1500's, Mitla was thriving

whereas Monte Alban was already in decline.

Monte Alban is built

on a hilltop while

Mitla is built in a

valley, and Monte

Alban was a city

made up of pyramids

whereas Mitla has

long and narrow

rectangular rooms

and appears possibly

to have been palatial

housing for the most

noble families as well

as a religious center.  Mitla was still functioning when the Spanish arrived (the Zapotec

population in all the outlying areas was some 500,000 people by then), and after

determining that the high priest at Mitla was similar to the pope back home, the

conquistadors promptly took up residence, dismantled and sacked as many of the buildings

as they could, and used the stones to build a church on top of one end of the ruins.

Just as stunning as the massive

pyramids at Monte Alban is the

incredibly fine stonework of the

frescoes at Mitla.  Each wall is

trimmed in intricately detailed

stonework patterns, all of which

were made by cutting perfectly

sized stones that fit onto one

another like jigsaw puzzle pieces,

held together without mortar.

Huge lintels lie across very low doorways,

and the corners of each room are made

with a dovetail style stone joinery, again

without mortar.

This construction is so finely and so tightly fitted, and

the walls are so massive, that a 1931 8.0 earthquake 50

miles away that damaged 70% of the buildings in the

city of Oaxaca didn't even make these buildings  flinch.

"Mitla" means "Place of the dead" in the Aztec's Nahuatl

language, and the Zapotec name for the area has the

same meaning.  The early Spanish conquistadors

interpreted the name as "Hell," and there are several underground tombs -- all

highly decorated with the intricately interwoven stone patterns -- where nobles and

high priests were buried and sent off to the afterlife, wether it was up to the

heavens or down.

I could have easily roamed

these ruins for quite a bit

longer, but the van was on a

mission, and this time it was

headed to a Mezcal tasting.

Actually, in hindsight, giving

up a few more moments with

the ancients for a quick

education in the art of

Mescal making

wasn't such a

bad trade-off

after all.

Like France's Champagne which is made only in Champagne,

Mexico's Tequila is made only in Tequila, about 40 miles outside of

Guadalajara, and a few other areas designated by Mexican law.  All

other identical libations made from the blue agave plant in other parts

of Mexico are called Mezcal instead.  And there are hundreds!

We stopped at a little place that still

makes Mezcal the old fashioned way.

After about 7 or 8 years the agave plant

has a pineapple looking core that is

removed, trimmed and cooked over a

fire.

It is then crushed using a heavy wheel

going round and round, driven by a

horse who has the fun job of walking in

circles.  This creates a stringy material

that looks like hay that gets boiled in a

kiln.  Eventually it is strained and placed

in casks to ferment.

The effect of the length of fermentation

was the amazing part to me.  Blanco

("white") mezcal -- the common, cheap

transparent stuff -- is aged less than two

months and burns a fiery path down your

throat and tastes terrible.  Reposado

("rested") mezcal is aged 2 months to two

years in an oak barrel and is barely

tolerable.  Añejo ("aged") mezcal is aged

for one to three years, barely tickles your

throat and has a pleasant flavor.

Extra Añejo ("extra aged") is aged for three

years or more, goes down waaaay too

easy, and tastes terrific.  It's a good thing

they were serving this stuff in thimble sized cups.

We tried some "crema" mezcals too, that is, flavored mezcals

made with cream.  The mango one was good enough that the

Danes purchased a bottle to take home with them, while we

and the English gals sampled the pineapple and some others I

forget now (we were having fun!).  The folks at the counter

would happily have kept on serving, but we needed to be able

to find our way back to the van, so we eventually said

"Enough!" and staggered off.

It was a great day on the outskirts of Oaxaca and the perfect

conclusion to our inland travels.  But Groovy was waiting for us back in Huatulco and it

was time for us to face the much feared crossing of the Gulf of Tehuantepec and head

to Puerto Chiapas and then inland to Antigua, Guatemala.

Find Oaxaca (Mitla) on Mexico Maps.